Colour is retired from navigation entirely. The interface is six greys and the six lights survive only where they came from — a person's face.
Brand exploration · 6a
Landing page
02 / 07 · the palette comes out of the lighting rig
Studio Light
Rose, amber and steel sampled from the shoot and held at matched chroma. Every colour arrives as a gradient into black — emitted by the rig, never applied as a fill.
Brand exploration · 4a
Landing page
03 / 07 · clarity, structure, care
Velvet Room
Deep plum ground, one shared 28px radius on every container including the photography, and blush reserved for a single emphasised word.
Brand exploration · 9a
Landing page
04 / 07 · the hybrid
Told in Velvet
Told in Colour's discipline on Velvet's geometry. The rounded frame supplies the warmth a blush accent was doing, so the interface can stay achromatic.
Brand exploration · 6a palette, 9a geometry
Landing page
05 / 07 · two stocks, one ink
Case Notes
Cream is a stock, not a background — it flips to ink and the cream becomes the accent. The redaction bar reverses with the stock. Two colours in the entire system.
Brand exploration · 10a
Landing page
06 / 07 · one answer, radiating
Reach
Concentric rings that only ever originate at a person. Buttons carry a 4px stacked shadow and seat into it on press, giving the interface a physical, product-led quality.
Brand exploration · 12c
Landing page
07 / 07 · one dot is one person
One in Eighteen Thousand
No bar chart exists anywhere — a percentage is a literal count of resolved dots. Three pitches only: 7px on photography, 13px in meters, 15px on ground.